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145

Art

Course Descriptions

2015-2016 Catalog

4

THREE-DIMENSIONAL DESIGN

3 units, 2 lecture hours, 4 lab hours,

(Pass/No Pass)

ADVISORIES: Eligibility for English 126.

This course will be a study of the formal elements

and principles of the visual language in three-dimensional

design. This will include the theory and the practice of these

elements and principles as they apply to three-dimensional

space and form. The projects in this class will incorporate

a variety media including plaster, paper, wood, clay, metal,

cement and the use of digital technology. (A, CSU, UC) (C-

ID ARTS 101)

5

ART HISTORY 1

3 units, 3 lecture hours, (Pass/No Pass)

ADVISORIES: Eligibility for English 125 and 126.

This course examines the history of cultural

production and visual aesthetics including two- and three-

dimensional art and architecture from Prehistory through

the Gothic Period. (A, CSU-GE, UC, I) (C-ID ARTH 110)

6

ART HISTORY 2

3 units, 3 lecture hours, (Pass/No Pass)

ADVISORIES: Completion of English 125 and 126

or eligibility for English 1A.

This course examines the history of cultural

production and visual aesthetics including two and three

dimensional art and architecture from the early renaissance

through the end of the twentieth century. (A, CSU-GE, UC,

I) (C-ID ARTH 120)

6H

HONORS ART HISTORY 2

3 units, 3 lecture hours

ADVISORIES: Completion of English 125 and 126

or eligibility for English 1A. Enrollment in Honors Program.

This course examines the history of cultural

production and visual aesthetics including two and three

dimensional art and architecture from the early renaissance

through the end of the twentieth century. As an honors

section, the class will be conducted as a seminar with an

emphasis on student projects. (A, CSU-GE, UC, I) (C-ID

ARTH 120)

7

BEGINNING DRAWING

3 units, 2 lecture hours, 4 lab hours, (Pass/No

Pass)

ADVISORIES: Eligibility for English 125 and 126.

This course will focus on developing basic skills

in objective, representational, freehand drawing in various

two-dimensional media. Through lecture and studio practice,

students will explore representational, abstract, non-objective,

and conceptual approaches to drawing. This course will

also introduce the visual language of drawing, composition

(the Elements and Principles of Design), historical and

contemporary rendering techniques and drawing as creative

personal expression. (A, CSU, UC) (C-ID ARTS 110)

9

BEGINNING PAINTING: OIL

AND ACRYLIC

3 units, 2 lecture hours, 4 lab hours, (Pass/

No Pass)

ADVISORIES: Eligibility for English 125, 126,

and Mathematics 201.

This course is an exploration of the creative act of

painting using representational, abstract and non-objective

forms. Emphasis is placed on the fundamentals of composition

and the ability to handle materials. Students will learn basic

color theory, value, line, shape, texture and techniques

including direct paint application, glazing, brush strokes and

impasto. Issues concerning canvas stretching, brush cleaning,

mixing glazes and toxicity are addressed. Through lecture and

studio practice, students gain introductory skills in painting

within the context of an historical perspective. (A, CSU, UC)

(C-ID ARTS 210)

10

BEGINNING CERAMICS

3 units, 2 lecture hours, 4 lab hours, (Pass/No

Pass)

ADVISORIES: Eligibility for English 126 and

Mathematics 201.

This class will be an introduction to the ceramic

arts. Through lecture, demonstrations and practical

application, students will explore the forms, techniques

and cultural influences of ceramic art throughout history.

Students will learn to create pottery from the potter’s wheel

and from a variety of hand building techniques. Students

will also be introduced to glazing and firing techniques. (A,

CSU-GE, UC)

13

BEGINNING WATERCOLOR

PAINTING

3 units, 2 lecture hours, 4 lab hours, (Pass/No

Pass)

ADVISORIES: Eligibility for English 125 and 126.

Emphasis is on developing basic skills in watercolor

painting. Through lecture and studio practice, students learn

representational, abstract, non-objective, and conceptual

approaches/techniques to painting. Traditional and

experimental techniques are explored. (A, CSU)